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“北京之春”里的王鈺棋和他的MTV
鈺棋歌唱的不是一夜成名的妄想，那些浮躁的火花總會(huì)讓他不安，他注意的是正在從我們身邊流失的，可能是最美妙的想法，也可能是某些不經(jīng)意中的奇思妙想。
鈺棋出生在河南，一出生即隨父母去了新疆，他的父親是個(gè)軍官，母親是個(gè)工人，生長在這樣的家庭中，并沒有什么特殊的音樂環(huán)境，但當(dāng)他14歲在一個(gè)偶然的機(jī)會(huì)接觸音樂時(shí)，也就是在重金屬風(fēng)潮涌入中國的那段時(shí)間里，他開始瘋狂的迷戀于重金屬音樂，他開始學(xué)習(xí)吉他，瘋狂的練習(xí)Metallica Megadeath Extreme等樂隊(duì)的曲譜，并在以后的那段時(shí)間里開始參加當(dāng)?shù)貥逢?duì)的一些演出，只是最有戲劇性的是，他一開始參加的演出大部分都是在中小城市的歌廳里給別人伴奏，演奏的大多也都是港臺(tái)流行歌曲，雖然無聊，但為他積累了豐富的創(chuàng)作和表演經(jīng)驗(yàn)。
1998年1999年兩次來到北京，但這兩次來北京的經(jīng)歷，并沒有給他帶來多少的幸運(yùn)，反而讓他開始懷疑自己的能力，生活還在繼續(xù)，音樂是否還應(yīng)該繼續(xù)？也許羈絆生活的永遠(yuǎn)是無謂的自擾，他選擇了逃離，逃離了他給自己的追求，也逃離了他認(rèn)為不該有的意外！
2000年他實(shí)在按捺不住自己的那份理想主義，再次來到北京，通過朋友的介紹，長期駐扎在一個(gè)北大南門叫“霸必龍”的酒吧里做駐場樂手，直到8月的某一天，在酒吧內(nèi)偶遇梁龍，和他組了個(gè)樂隊(duì)“二手玫瑰”，排了三天練，趕著去當(dāng)時(shí)的豪運(yùn)酒吧參加一個(gè)視覺搖滾Party，事后的結(jié)果是不言而喻的，驚喜和意外使他們決定把這支樂隊(duì)堅(jiān)持做下去！2003年樂隊(duì)出版了首張同名專輯“二手玫瑰”！被譽(yù)為中國搖滾樂最妖嬈的一支樂隊(duì)。此后他們的行跡也踏遍了大江南北，但是鈺棋卻在05年樂隊(duì)發(fā)展正穩(wěn)健的時(shí)候選擇離開了這支樂隊(duì)。
在之后在05年-07之間年他活躍于北京多支樂隊(duì)，先后在“哥特”風(fēng)格的代表樂隊(duì)“木馬”，魔巖三杰中的民謠詩人張楚，還有女性搖滾的代表人物姜昕，擔(dān)任吉他手，除此之外還參與了孟京輝的話劇“艷遇”和“兩只狗的生活意見”的音樂創(chuàng)作。、值得一提的是“我不是隨便的花朵“那張姜昕的唱片，鈺棋更是擔(dān)當(dāng)了四首歌的詞曲，和編曲創(chuàng)作，其中”春天“”彩虹“那流暢的旋律加上那股獨(dú)立精巧的配器，更是耳目一新！營造著簡單，時(shí)尚而又浪漫的情調(diào)。07年被譽(yù)為獨(dú)立新銳音樂人
在這幾年獨(dú)立發(fā)展的日子中，他積累了很多屬于自己的創(chuàng)作，也開始萌發(fā)自己做唱片的念頭，原因就是他想用器樂和歌聲找回或者去發(fā)現(xiàn)，把生活瑣碎中的奇妙，自言自語，甚至是不愿聽取的抱怨，找到某種方式把它們訴說出來，在他給我的Demo中我聆聽了唱片內(nèi)部分歌曲，我都很喜歡!其中“心的顏色“主旋律極為的簡單，4種樂器的選用，讓曲子充滿了張力，一聽既知便是屬于他那股獨(dú)立的精巧。 還有那首”你知道我才知道“，帶有著濃厚法國電子味道，那股浪漫氣氛更是讓人沉醉！ ”鏡子“令我印象深刻，曲調(diào)漸漸的舒展開來，憂郁的情緒卻沒能在最后一個(gè)音完結(jié)前完全抽離，那股干凈的收尾是我的最愛。里邊的和聲一聽便知是龍寬唱的，太有特點(diǎn)了！ “北京之春”這首歌 一半給我的感覺是松弛，一半讓我覺得有些略微的沉重，他在冗長的歌詞中記載了一些關(guān)于某人發(fā)生的事！我喜歡這首歌里打擊樂和吉他纏繞的在一起的那股聲音。 “兩只狗的生活意見“是來自孟京輝的同名話劇，這首歌應(yīng)該是這張唱片里最先被大家聽到的吧，旋律，編配都很簡單，里邊三弦的運(yùn)用也挺有趣！那股勁和話劇很般配！
對于音樂的迷戀，對于不定的追求，鈺棋的隨性也許還會(huì)更加徹底！
2009 期待他的“北京之春“！
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