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 音色試聽:岸部真明－－－Flower

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本試聽是由許褏(右)老師錄制，許褏老師畢業(yè)于德國(guó)弗萊堡國(guó)立音樂學(xué)院吉他系，在電吉他、古典吉他、民謠吉他的理論和演奏方面都有深入的研究，在這個(gè)試聽的錄制過程中，許褏老師把怎樣錄制出的效果都給予了詳細(xì)的說明，就是讓很多自己在家錄音的朋友也能夠掌握這種利用簡(jiǎn)單設(shè)備而做出更好效果的方法。
這個(gè)試聽許褏老師彈奏的是岸部真明－－－Flower，試聽分為四段，每段分別用了不同的方法錄音，第一段是用話筒錄制，第二段用的是電箱琴原有的拾音器錄制，第三段用的是左右聲道的立體聲錄制，第四段是添加了混響的效果。

  麥克風(fēng)和拾音器軌道沒有任何一點(diǎn)點(diǎn)處理，就是完全的原始信號(hào)。拾音器的設(shè)置是均衡全部打平，另外兩個(gè)按鈕都在外面。麥克風(fēng)近距離拾取十二品到音孔間的部分。

立體聲混合是將麥克風(fēng)軌道放在偏左側(cè)，拾音器軌道放在偏右側(cè)，為了音色音量平衡用了壓縮和均衡。最后發(fā)送到混響器插件，和一個(gè)立體聲音軌加倍中，使得聲音肥厚而具有空間感。

一千塊的話筒全套ProTools自帶的插件是無法和錄音棚里上萬的話筒，話放和硬件處理器相比的，但是作為在家中練習(xí)錄音和做小樣，使用這種同時(shí)錄下麥克風(fēng)和拾音器的方法，一樣可以得到漂亮的立體聲吉他。

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